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Shot by Shot: Politics of photography

Young photographer Vatsal Shah writes on the obstacles ...

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Anwesha Arya: The Miracle Woman

In times when many of Bollywood boys and girls are under the scanner, Vinta Nanda interviews Anwesha Arya &nd...

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In Exile: The last years of M.F. Husain

Khalid Mohamed rewinds to an interview with M.F. Husain, the peerless artist, who had to spend his end-years jet-hopping betwe...

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Who decides?

Newcomers we were to this survival game, to this locale, to this one-room setting, to this downslide, to this helplessness. We were new at sawi...

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Mumbai: A City Smarting

“Thousands of migrant workers walked along the Eastern Express Highway in the hope of reaching back to their villages. They were stopped ...

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Homeward bound…

Photojournalist SL Shanth Kumar was at Bhiwandi station on the outskirts of Mumbai to see off the first train leaving Maharashtra. Here is a ph...

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Shahryar and those sharks

 “As I stood there, I could see Shahryar walking around. And even as I kept calling out to him, he didn’t respond. Perhaps, di...

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The Legend of Siddharth

I wanted to interview Siddharth for The Daily Eye for some time now and although he was reluctant and shy, I managed to corner him the other da...

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Witchy Brew

In common usage, the word chudail describes an aggressive or quarrelsome woman—could be said to be the Indian equivalent of bitch.  ...

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Simran Puri’s Kangan

Women are equals now by law but back then it was different…

The story unfolds amidst the splendour ...

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